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Following ancient tradition, Christians call the area between a baptistery and its related church a Paradiso (“Paradise”), evoking the joy of those who, after receiving baptism, cross that space to participate in the Eucharist for the first time. This was probably the sense in which, as Giorgio Vasari tells us, Michelangelo described the bronze baptistery door facing the Cathedral as “of Paradise”, creating a play on words meant to underline the extraordinary quality of Lorenzo Ghiberti’s masterpiece, worthy of the kingdom of heaven.

The museum’s main hall evokes the city square corresponding to the “Paradise” of Florence, with the Cathedral to the east and the Baptistery to the west. The earliest façade of Santa Maria del Fiore, never completed and finally dismantled in 1587, has been reconstructed here on the basis of a 16th-century drawing, making it possible to place many of the statues carved for it in their original positions opposite the Baptistery doors. The reconstructed façade, the two Roman sarcophagi that stood in Cathedral Square from the Middle Ages until the 20th century, and the 16th-century statuary groups above the Baptistery entrances together reactivate a dialogue between Ancient, Medieval and Renaissance sculpture for which Florence was once famous. Indeed the humanism typical of modern Western history found its first monumental expression here.  

Opening times

The times of access to the monuments are subject to changes in time due to extraordinary events. The museum will be closed on the first Tuesday of each month.

Entry point
Ticket online
Access with a single ticket to all monuments

If you book the Dome, ticket is valid for 72 hours from the day of the reservation.
If you don't reserve the Dome you have 30 days from the date selected for the visit to use the ticket; after the first entrance in a monument, the ticket will be valid for only 72 hours.
Each monument may be visited only once with the ticket.
Reservations mandatory for the climb on the Dome.